KP: Wow! So you’ve really been able to go after the “big guys” and make a huge difference! How did you get started in music?
Bill: When I was 11, a little old lady tapped me on the shoulder during church and remarked: “Young man you have a nice singing voice. You should join the choir.” That was the first thing that got me going and then I learned to play various brass instruments in elementary and middle school bands along with the guitar.
KP: When did you write your first song?
Bill: 7th grade in the stairwell of my family’s home. The natural reverb of the setting was perfect for a lonely ballad.
KP: Which instruments do you play?
Bill: Cornet, baritone, even tuba early on and then guitar, Celtic whistle, bass and piano.
KP: You could be a one-man band! Do you still play any of the brass instruments?
Bill: I think I carried the tuba more than played it. That was the main requirement. I am sure I could get back into shape but it would take awhile.
KP: Do you record in a home studio?
Bill: Yes, I converted our attic into a studio. I do most of my recording there but I do the mixing at another studio.
KP: How did you become interested in Celtic music?
Bill: I visited Scotland while doing a television news series on North Carolina’s rich Scots-Irish heritage. I fell madly in love with the music and especially the sound of the Celtic whistle. In fact, I wrote a song about the experience. It’s called “Celtic Soul.” I recorded the song on Bragh Adair’s second album, “The Hunt.” The lyrics begin this way: “Steaming north on a stallion of iron up the Highland highway of steel, over bogs and bridges and heathery ridges and mountains so green they seem surreal. How strange to be in a foreign land and feel more at home than I’ve ever been. Where the lightning flashes and the thunder rolls, I have come to claim my Celtic Soul.” The second verse goes like this: “Oh, how wild and rugged this land. How sacred this place where I stand. It’s a feeling that burns in a heart that yearns to touch the very place of my people’s birth. Spirits of my ancient kin rise up to greet me on the wind.”
KP: Beautiful! Is Celtic music closely related to the folk music of Appalachia? A lot of your music just glows with “Americana,” so I’m wondering about the relationship of the two styles of music.
Bill: Yes, there is a definite connection. A lot of bluegrass music was born out of Celtic music though I wouldn’t consider my music bluegrass. It is more of a Celtic-folk fusion style.
KP: Who do you consider to be your biggest musical influences?
Bill: Micheal O’Domhnaill had more influence on me than anyone else. He founded the legendary Irish group called The Bothy Band. He also played guitar and whistle for a wonderful group called Nightnoise. Micheal died two summers ago and I dedicated my “I Am a River” album to him. When I first heard Micheal and Nightnoise play, I was totally overwhelmed with emotion. Eventually I realized I had found my so-called “inner gold” in their music and that I needed to push forward with my own compositions.
KP: What inspires you to write music?
Bill: Songwriting is a spiritual experience. I love the joy of birthing a new melody.
KP: What has been your most exciting musical experience to date?
Bill: Performing with the North Carolina Symphony and my band, Lorica, before 10,000 people in a televised concert near Raleigh two years ago.
KP: How did you and John Tesh end up as roommates after college?
Bill: John and I worked at the same radio station for about a year in Raleigh. I taught John how to run the radio console. We remain close friends today.
KP: Have you ever played music together?
Bill: I have played onstage with John several times and we always have a blast. He is a tremendous guy and a dear friend.
KP: Who are some of your favorite musical performers?